Five minutes ago (well, fifteen by the time this post is completed):
I read Mrs. Friedrich’s remark about my sister sharing the same birthday with St. Shakespeare and decide I am going to put an end to my sister’s foolishness. I retrieve my miniature bonded-leather copy of Macbeth and run upstairs to my sister’s room, rush through her door, turn the light on, and sit primly on her footboard.
–It is Shakespeare’s birthday, I say. It’s time you memorised a soliloquy in his honour. Wake up, deadman! Time to memorise!
She jolts awake, groggily looks up at me and buries her head in her pillow and groans, “Miss Clark! No Heelllp! This isn’t happening!”
Miss Clark, her English lit teacher, is a wonderful woman. I had a studyhall with her senior year of highschool. Why my sister appealed to her I have no idea. Miss Clark would have completely supported my drastic and absurd action. In fact, she’d love it.
–Repeat after me, I command. To-morrow, and to-morrow, and to-morr
–AHHHHH! Stop!, Meggan interrupts!
–If you don’t memorise this soliloquy right now I’ll tell mum and dad that you haven’t been to school the last two days!
–You’re horrible! You’re horrible, mutters Meggan, covering her eyes.
–Now then, where were we, oh yes!, I respond, ignoring her.
–To-morrow, and to-morrow, and to-morrow, she repeats.
–Creeps forth at its petty pace from day to day, To the last syllable of recorded time;
–Creeps for at its pretty pace from day to day, To the last syllable of recorded time;
–PETTY, I correct her. It’s PETTY. P-E-T-T-Y!
–PETTY then, she says, exasperated.
–And all our yesterdays have lighted fools
The way to dusty death.
–And all our yesterdays have lighted fools
They way to dusty death.
–Out! Out brief candle!, I exclaim.
–Out! Out brief candle, she mutters.
–Life’s but a walking shadow, a poor player
That struts and frets its hour upon the stage,
And then is heard from no more; it is a tale
Told by an idiot, full of sound and fury, signifying nothing.
–Life’s but a walking shadow, a poor player
That struts and frets its hour upon the stage,
And then is heard from no more; it is a tale
Told by an idiot, full of sound and fury, signifying…something, she murmers.
–No! Nothing! SIGNIFYING NOTHING!
–Nothing then!, she wails.
Now, from the top!, I exclaim and we go through it two more times.
–Dad!, she yells, bloody-murdering. Dad! HELLLLLLLLLLLPPP!!!!!!!!!!!!!!!!!!!!
I figure that if I’m going to go out I best go out in a blaze of glory so I stand on her bed and start the soliloquy once more from the top, this time with melodramatic sweeping arm gestures.
Meggan pulls her sheet over her head and pretends to cry.
The door opens and my father walks in, looking around with an amused expression.
–She’s forcing Shakespeare on me!, Meggan says, accusingly, frustratingly. Throw her out!
My father suddenly stands at attention and says:
The quality of mercy is not strain’d,
It droppeth as the gentle rain from heaven
Upon the place beneath: it is twice blest;
It blesseth him that gives and him that takes:
‘Tis mightiest in the mightiest: it becomes
The throned monarch better than his crown;
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway;
It is enthroned in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God’s
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy.
My jaw goes agape and I exclaim excitedly:
Dad! Merchant of Venice!!! You know some Shakespeare! O brave new world, that has such people in it!
I jump off Meggan’s bed and run over to hug him.
–I had to memorise it in highschool, he tells me.
Meggan stares at us as though we have gone mad and yanks her covers over her head. I wish her happy birthday and we leave.
Huxley?s Savage ain?t got nothing on my father and I in this dystopia. If that didn’t put the fear of Shakespeare into her, than I fear nothing ever will.