Archive for the ‘Film’ Category

Filed Under (Film, Literature) by Sarah on September-13-2005

If you find the novel Ulysses taxing, you really should see the film.

If you find the novel Ulysses taxing you really shouldn’t see the film.



Filed Under (Film, Trivial, General) by Sarah on August-30-2005

I scored Igmar Bergman.

(Ingmar Bergman -Your film will be 59% romantic, 27% comedy, 38% complex plot, and a $ 40 million budget. Your life will be portrayed on film as an intense psychological drama, likely with some actresses screaming at the camera (Persona), or maybe a pleasant chess game between the Grim Reaper and a Crusader (The Seventh Seal). This Swedish director’s films are intensely scrutinzed and studied in colleges all over the world to this day. This means that most Americans still don’t understand his films! Still alive, he released in the U.S. in 2005 his first film in 23 years (Saraband), and he can still take on one more project to make your film biography. If curious, start with his films Wild Strawberries and Smiles of a Summer Night. )

The Director Who Films Your Life Quiz



Filed Under (Film, Literature, The Life Aquatic, General) by Sarah on August-29-2005

Dostoevsky

against the wall, the firing squad ready.
then he got a reprieve.
suppose they had shot Dostoevsky?
before he wrote all that?
I suppose it wouldn’t have
mattered
not directly.
there are billions of people who have
never read him and never
will.
but as a young man I know that he
got me through the factories,
past the whores,
lifted me high through the night
and put me down
in a better
place.
even while in the bar
drinking with the other
derelicts,
I was glad they gave Dostoevsky a
reprieve,
it gave me one,
allowed me to look directly at those
rancid faces
in my world,
death pointing its finger,
I held fast,
an immaculate drunk
sharing the stinking dark with
my
brothers.

-Charles Bukowski

The wind here was absolutely rampant lastnight. Was lovely to stare at the flashing shadows on the ceiling and listen to the wine bottle wind chimes outside the French doors in our bedroom. The baby seemed mesmerised by the night also and was more content awake than asleep. The wind is still going and tornado warnings for most of today. The sound of wind in the trees always makes me think of Minneapolis. I know another woman from our church who lived in the Twin Cities briefly and also feels the same.

Finished watching the special features in A Very Long Engagement last night. Stunning. If you loved Amelie you’ll love this film. Many of the same actors (Audrey Tautou, others), same director, ambeience, etc., but in the 1920s. Jean-Pierre Jeunet knows something about retaining a sense of wonder.

Our baby is seven weeks old today.



Filed Under (Film, Literature, Kith and Kin, The Life Aquatic) by Sarah on August-27-2005

My little sister and her husband were married last January in St. Paul, Minnesota at Northwestern College in a striking Romanesque chapel. Lovely wedding. Just found some photographs that my aunt took.

We rented He Loves Me, He Loves Me Not from Netflix last week. Excellently psychotic performance by Audrey Tautou of Amelie fame. We returned it but somehow it was either lost or stolen in the mail. First time that’s happened.

Looks like the hurricane’s heading to New Orleans. I hope it doesn’t sink.

Ran errands today. Mechanic, pharmacy, bookstore, liquor store, more pharmacies (why doesn’t anyone around here carry gentian violet?), KMart. My wonderful husband bought me Edgar Lee Masters’ Spoon River Anthology while we were out.



Filed Under (Film, Literature, Music) by Sarah on February-23-2005

Hunter S. Thompson

Rob Mitchum of Pitchfork Media has an excellent Hunter S. Thompson tribute — making more sense of the man/event than most of the obituaries I’ve read and heard — who died Sunday night of a self-inflicted gunshot wound, somewhere around the time I happened to be lying in bed, looking sideways at our bookshelf, sleepily remembering that I need to read Fear & Loathing in Las Vegas groggily and fondly rememebering all the rum in Thompson’s The Rum Diary, sleepily excited that my husband had President’s Day off from work.

Few seem to have noticed that the absurdly exaggerated drug use of Fear & Loathing in Las Vegas is given a portrayal that is far from enticing, note-perfectly enacted by Terry Gilliam’s film of the book. To Thompson, his persona’s ingestion of drugs wasn’t a celebration of counterculture mind exploration, but a desperate self-inoculation against the increasingly diseased American atmosphere closing in on all sides. Fear & Loathing didn’t earn its place in American literature as a celebration of pharmaceutical joyriding, but rather as an obituary for the delusional promises of the 1960s–it’s a literary Altamont.